When he was half-way there, the keen dry wind that had been blowing early that morning rose again, and a fine dry snow began falling thickly. It did not lie on the ground, but was whirled about by the wind, and soon there was a regular snowstorm. There were scarcely any lamp-posts in the part of the town where Smerdyakov lived. Ivan strode alone in the darkness, unconscious of the storm, instinctively picking out his way. His head ached and there was a painful throbbing in his temples. He felt that his hands were twitching convulsively. Not far from Marya Kondratyevna's cottage, Ivan suddenly came upon a solitary drunken little peasant. He was wearing a coarse and patched coat, and was walking in zigzags, grumbling and swearing to himself. Then suddenly he would begin singing in a husky drunken voice:

But he broke off every time at the second line and began swearing again; then he would begin the same song again. Ivan felt an intense hatred for him before he had thought about him at all. Suddenly he realized his presence and felt an irresistible impulse to [pg 702] knock him down. At that moment they met, and the peasant with a violent lurch fell full tilt against Ivan, who pushed him back furiously. The peasant went flying backwards and fell like a log on the frozen ground. He uttered one plaintive “O—oh!” and then was silent. Ivan stepped up to him. He was lying on his back, without movement or consciousness. “He will be frozen,” thought Ivan, and he went on his way to Smerdyakov's.

In the passage, Marya Kondratyevna, who ran out to open the door with a candle in her hand, whispered that Smerdyakov was very ill, “It's not that he's laid up, but he seems not himself, and he even told us to take the tea away; he wouldn't have any.”

“Why, does he make a row?” asked Ivan coarsely.

“Oh, dear, no, quite the contrary, he's very quiet. Only please don't talk to him too long,” Marya Kondratyevna begged him. Ivan opened the door and stepped into the room.

It was over-heated as before, but there were changes in the room. One of the benches at the side had been removed, and in its place had been put a large old mahogany leather sofa, on which a bed had been made up, with fairly clean white pillows. Smerdyakov was sitting on the sofa, wearing the same dressing-gown. The table had been brought out in front of the sofa, so that there was hardly room to move. On the table lay a thick book in yellow cover, but Smerdyakov was not reading it. He seemed to be sitting doing nothing. He met Ivan with a slow silent gaze, and was apparently not at all surprised at his coming. There was a great change in his face; he was much thinner and sallower. His eyes were sunken and there were blue marks under them.

“Why, you really are ill?” Ivan stopped short. “I won't keep you long, I won't even take off my coat. Where can one sit down?”

He went to the other end of the table, moved up a chair and sat down on it.

“Why do you look at me without speaking? I've only come with one question, and I swear I won't go without an answer. Has the young lady, Katerina Ivanovna, been with you?”

Smerdyakov still remained silent, looking quietly at Ivan as before. Suddenly, with a motion of his hand, he turned his face away.

“What's the matter with you?” cried Ivan.

“Nothing.”

“What do you mean by ‘nothing’?”

“Yes, she has. It's no matter to you. Let me alone.”

“No, I won't let you alone. Tell me, when was she here?”

“Why, I'd quite forgotten about her,” said Smerdyakov, with a scornful smile, and turning his face to Ivan again, he stared at him with a look of frenzied hatred, the same look that he had fixed on him at their last interview, a month before.

“You seem very ill yourself, your face is sunken; you don't look like yourself,” he said to Ivan.

“Never mind my health, tell me what I ask you.”

“But why are your eyes so yellow? The whites are quite yellow. Are you so worried?” He smiled contemptuously and suddenly laughed outright.

“Listen; I've told you I won't go away without an answer!” Ivan cried, intensely irritated.

“Why do you keep pestering me? Why do you torment me?” said Smerdyakov, with a look of suffering.

“Damn it! I've nothing to do with you. Just answer my question and I'll go away.”

“I've no answer to give you,” said Smerdyakov, looking down again.

“You may be sure I'll make you answer!”

“Why are you so uneasy?” Smerdyakov stared at him, not simply with contempt, but almost with repulsion. “Is this because the trial begins to-morrow? Nothing will happen to you; can't you believe that at last? Go home, go to bed and sleep in peace, don't be afraid of anything.”

“I don't understand you.... What have I to be afraid of to-morrow?” Ivan articulated in astonishment, and suddenly a chill breath of fear did in fact pass over his soul. Smerdyakov measured him with his eyes.

“You don't understand?” he drawled reproachfully. “It's a strange thing a sensible man should care to play such a farce!”

Ivan looked at him speechless. The startling, incredibly supercilious tone of this man who had once been his valet, was extraordinary in itself. He had not taken such a tone even at their last interview.

“I tell you, you've nothing to be afraid of. I won't say anything [pg 704] about you; there's no proof against you. I say, how your hands are trembling! Why are your fingers moving like that? Go home, you did not murder him.”

Ivan started. He remembered Alyosha.

“I know it was not I,” he faltered.

“Do you?” Smerdyakov caught him up again.

Ivan