Chapter 29
A Laceration In The Drawing-Room
24 min read · 18 pages
But in the drawing-room the conversation was already over. Katerina Ivanovna was greatly excited, though she looked resolute. At the moment Alyosha and Madame Hohlakov entered, Ivan Fyodorovitch stood up to take leave. His face was rather pale, and Alyosha looked at him anxiously. For this moment was to solve a doubt, a harassing enigma which had for some time haunted Alyosha. During the preceding month it had been several times suggested to him that his brother Ivan was in love with Katerina Ivanovna, and, what was more, that he meant “to carry her off” from Dmitri. Until quite lately the idea seemed to Alyosha monstrous, though it worried him extremely. He loved both his brothers, and dreaded such rivalry between them. Meantime, Dmitri had said outright on the previous day that he was glad that Ivan was his rival, and that it was a great assistance to him, Dmitri. In what way did it assist him? To marry Grushenka? But that Alyosha [pg 203] considered the worst thing possible. Besides all this, Alyosha had till the evening before implicitly believed that Katerina Ivanovna had a steadfast and passionate love for Dmitri; but he had only believed it till the evening before. He had fancied, too, that she was incapable of loving a man like Ivan, and that she did love Dmitri, and loved him just as he was, in spite of all the strangeness of such a passion.
But during yesterday's scene with Grushenka another idea had struck him. The word “lacerating,” which Madame Hohlakov had just uttered, almost made him start, because half waking up towards daybreak that night he had cried out “Laceration, laceration,” probably applying it to his dream. He had been dreaming all night of the previous day's scene at Katerina Ivanovna's. Now Alyosha was impressed by Madame Hohlakov's blunt and persistent assertion that Katerina Ivanovna was in love with Ivan, and only deceived herself through some sort of pose, from “self-laceration,” and tortured herself by her pretended love for Dmitri from some fancied duty of gratitude. “Yes,” he thought, “perhaps the whole truth lies in those words.” But in that case what was Ivan's position? Alyosha felt instinctively that a character like Katerina Ivanovna's must dominate, and she could only dominate some one like Dmitri, and never a man like Ivan. For Dmitri might at last submit to her domination “to his own happiness” (which was what Alyosha would have desired), but Ivan—no, Ivan could not submit to her, and such submission would not give him happiness. Alyosha could not help believing that of Ivan. And now all these doubts and reflections flitted through his mind as he entered the drawing-room. Another idea, too, forced itself upon him: “What if she loved neither of them—neither Ivan nor Dmitri?”
It must be noted that Alyosha felt as it were ashamed of his own thoughts and blamed himself when they kept recurring to him during the last month. “What do I know about love and women
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