Christmas came and except for the ceremonial Mass, the solemn and wearisome Christmas congratulations from neighbors and servants, and the new dresses everyone put on, there were no special festivities, though the calm frost of twenty degrees Reaumur, the dazzling sunshine by day, and the starlight of the winter nights seemed to call for some special celebration of the season.

On the third day of Christmas week, after the midday dinner, all the inmates of the house dispersed to various rooms. It was the dullest time of the day. Nicholas, who had been visiting some neighbors that morning, was asleep on the sitting-room sofa. The old count was resting in his study. Sonya sat in the drawing room at the round table, copying a design for embroidery. The countess was playing patience. Nastasya Ivanovna the buffoon sat with a sad face at the window with two old ladies. Natasha came into the room, went up to Sonya, glanced at what she was doing, and then went up to her mother and stood without speaking.

"Why are you wandering about like an outcast?" asked her mother.

"What do you want?"

"Him… I want him… now, this minute! I want him!" said Natasha, with glittering eyes and no sign of a smile.

The countess lifted her head and looked attentively at her daughter.

"Don't look at me, Mamma! Don't look; I shall cry directly."

"Sit down with me a little," said the countess.

"Mamma, I want him. Why should I be wasted like this, Mamma?"

Her voice broke, tears gushed from her eyes, and she turned quickly to hide them and left the room.

She passed into the sitting room, stood there thinking awhile, and then went into the maids' room. There an old maidservant was grumbling at a young girl who stood panting, having just run in through the cold from the serfs' quarters.

"Stop playing—there's a time for everything," said the old woman.

"Let her alone, Kondratevna," said Natasha. "Go, Mavrushka, go."

Having released Mavrushka, Natasha crossed the dancing hall and went to the vestibule. There an old footman and two young ones were playing cards. They broke off and rose as she entered.

"What can I do with them?" thought Natasha.

"Oh, Nikita, please go… where can I send him?… Yes, go to the yard and fetch a fowl, please, a cock, and you, Misha, bring me some oats."

"Just a few oats?" said Misha, cheerfully and readily.

"Go, go quickly," the old man urged him.

"And you, Theodore, get me a piece of chalk."

On her way past the butler's pantry she told them to set a samovar, though it was not at all the time for tea.

Foka, the butler, was the most ill-tempered person in the house. Natasha liked to test her power over him. He distrusted the order and asked whether the samovar was really wanted.

"Oh dear, what a young lady!" said Foka, pretending to frown at Natasha.

No one in the house sent people about or gave them as much trouble as Natasha did. She could not see people unconcernedly, but had to send them on some errand. She seemed to be trying whether any of them would get angry or sulky with her; but the serfs fulfilled no one's orders so readily as they did hers. "What can I do, where can I go?" thought she, as she went slowly along the passage.

"Nastasya Ivanovna, what sort of children shall I have?" she asked the buffoon, who was coming toward her in a woman's jacket.

"Why, fleas, crickets, grasshoppers," answered the buffoon.

"O Lord, O Lord, it's always the same! Oh, where am I to go? What am I to do with myself?" And tapping with her heels, she ran quickly upstairs to see Vogel and his wife who lived on the upper story.

Two governesses were sitting with the Vogels at a table, on which were plates of raisins, walnuts, and almonds. The governesses were discussing whether it was cheaper to live in Moscow or Odessa. Natasha sat down, listened to their talk with a serious and thoughtful air, and then got up again.

"The island of Madagascar," she said, "Ma-da-gas-car," she repeated, articulating each syllable distinctly, and, not replying to Madame Schoss who asked her what she was saying, she went out of the room.

Her brother Petya was upstairs too; with the man in attendance on him he was preparing fireworks to let off that night.

"Petya! Petya!" she called to him. "Carry me downstairs."

Petya ran up and offered her his back. She jumped on it, putting her arms round his neck, and he pranced along with her.

"No, don't… the island of Madagascar!" she said, and jumping off his back she went downstairs.

Having as it were reviewed her kingdom, tested her power, and made sure that everyone was submissive, but that all the same it was dull, Natasha betook herself to the ballroom, picked up her guitar, sat down in a dark corner behind a bookcase, and began to run her fingers over the strings in the bass, picking out a passage she recalled from an opera she had heard in Petersburg with Prince Andrew. What she drew from the guitar would have had no meaning for other listeners, but in her imagination a whole series of reminiscences arose from those sounds. She sat behind the bookcase with her eyes fixed on a streak of light escaping from the pantry door and listened to herself and pondered. She was in a mood for brooding on the past.

Sonya passed to the pantry with a glass in her hand. Natasha glanced at her and at the crack in the pantry door, and it seemed to her that she remembered the light failing through that crack once before and Sonya passing with a glass in her hand. "Yes it was exactly the same," thought Natasha.

"Sonya, what is this?" she cried, twanging a thick string.

"Oh, you are